In 2018, my Abstracts of Light and Shadows social art project focused my paintbrush, news camera, and canvases into the sunshine to expose the shadows cast by trees, and into the nature, of birds of prey and humankind. This untitled painting began as I carried my easel, a backpack full of paint, and a blank canvas down Jasper Avenue on my way to the Alberta Legislature grounds. At 104th Street and Jasper Avenue, I stepped into an argument already in motion—a Black man leaving the 7‑Eleven, a Red man demanding loose change, and tension rising fast. When the Black man refused, the Red man shouted, and the Black man responded with a raised middle finger. The situation escalated instantly. Across the intersection, it was just me and one other White man watching the scene unfold in the early summer light.
XYZ...
LISTEN
Art is Freedom
7-Eleven
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I moved forward, ready to help calm things down, but before I reached them the Red man chased the Black man down the street, yelling, “Get off my land!” I caught up with the Black man inside the Red Arrow bus station, where he’d taken shelter while waiting for his bus. That’s where I learned what sparked the confrontation. I reassured him they are not always angry, and wished him well, after I learned he was on his way to Fort McMurray to work in the oil patch. Later, I painted this story beside Premier Rachel Notley’s office window, in the Legislature gardens where passersby often stop to talk. Several added their own strokes of acrylic paint to the canvas, including a young Indigenous man who shared his experience of homelessness and the grief of losing so many friends and family members to addictions and suicide. I listened while he painted. This painting eventually became the image for my Listen label—printed on T‑shirts worn inside the Alberta Legislature during its 30th and 31st sessions.
