Freedom to Express and Listen
2007, Active Citizenship, 2025
Free News Sharing & Social Artistry
The Legislature has no dome, unity
Birds of a Feather project
Troublemaker, the coming storm
Art Is Freedom
HOMME MADE - DUNDEE LAW
Tribute to Virgil Abloh and Dennis Edney
2013, Social Art Projects, 2025
by Doug Brinkman and Community
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Faith, Democracy & Nature
The Flower Harvest, Scream!
Love, Kindness, The Angry Painter
Blue Tree, On Guard For Thee
Last Sunday of September
Serendipitous Sleven, Syrinity
Alberta Legislature back lawns
2016,🍁US, Wildfires
2020 - Skaters On Ice - 2025
Eye on Red🍁US
Doug's Quick-Drawn Conclusions
1979, Between Friends
Montana🍁US, Alberta Foothills
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🍁US: Art Show & Tell, of a Point of Order, add a little ice cream, my just reward. A young woman, lingering with a tattooed crowd in downtown Edmonton near the library, complimented my artwork. After finishing my rapidly melting ice cream in the 24°C heat, I walked over to her gang to show the backside, titled Disorder. Suddenly, a young man lunged at me. "Get the f*** away from here!" he snapped. Before I could react, the group's matriarch—Mama Tattoo—spoke up. "I like your painting," she said, her voice steady. The young man’s demeanor shifted. He looked at the artwork again, his expression softening. "That's an amazing piece of art," he admitted.
The Selfish Pursuit of Artistic Truth
🎨Selfishness often gets a bad rap. It’s branded as greedy, thoughtless, a trait best left on the villain’s shelf. But peel away the stigma, and you’ll find that in art, selfishness can be revolutionary—especially when it’s paired with vision, vulnerability, and integrity. Take the Group of Seven: A.Y. Jackson and Lawren Harris didn’t have their fame handed to them, even though Harris had wealth from the Massey-Harris fortune. They worked hard, committed deeply, and “selfishly” pursued an unshakable idea—that Canadian landscapes deserved their own voice in art.
🎨By rejecting European traditions, they carved out space for a uniquely Canadian aesthetic. Their boundaries weren’t barriers—they were a declaration: We paint what we believe. Contrast that with the Indian Group of Seven (Professional Native Indian Artists Inc.). These artists—Norval Morrisseau, Daphne Odjig, Alex Janvier, and others—had no silver platter, no institutional warmth. What they had was fierce resolve. Their “selfishness” wasn’t about ego—it was survival. They refused to be typecast as cultural artifacts and instead demanded recognition as contemporary creators. They built their own galleries, funded their own shows, and shaped a legacy that fought erasure with artistic defiance.
🎨And then there’s Jack Bush. Trapped in the commercial art world for decades, he suffered anxiety and depression. He longed for a life of emotional honesty—one where color, not corporate briefs, spoke for him. Inspired by the Group of Seven and later mentored by Clement Greenberg, Bush “selfishly” chose abstraction, ditching safety for soul. His art didn’t chase trends—it chased feeling. And in doing so, it soared internationally.
🎨Mindful selfishness, the kind that: Defies conformity to pursue personal truth. Sets boundaries that guard mental, emotional, and cultural health. Turns pain into inspiration. Gives others permission to be unapologetically themselves. Yes, privilege played a role. Yes, systemic barriers shaped outcomes. But at the core, each story is a testament to how “selfish” choices—when made with integrity—can spark transformation in not just the artist, but the world they paint...
🍁US: September marks the final phase of my 13th social art project, Birds of a Feather. This work is a tribute to two extraordinary individuals who inspired me, and whose lives shaped the worlds of fashion and justice profoundly: Virgil Abloh and Dennis Edney.
Virgil Abloh was born in Rockford, Illinois, to Ghanaian immigrant parents. His mother, a seamstress, taught him how to sew, and his father ran a paint company. Virgil’s early life was steeped in creativity and discipline. He earned degrees in civil engineering and architecture, but it was his vision for blending streetwear with luxury fashion that made him a global icon. As the founder of Off-White and the first African-American artistic director at Louis Vuitton, Virgil redefined what fashion could be—bold, inclusive, and deeply personal. He passed away in 2021 at the age of 41, leaving behind a legacy that continues to inspire artists and dreamers around the world.
Dennis Edney, born in Dundee, Scotland, came to Canada with grit and a deep sense of justice. Before becoming a lawyer, he worked as a truck driver, carpenter, and even a professional soccer player. He earned his law degree later in life and built a career in Edmonton as a defence lawyer known for taking on the toughest cases. Dennis became internationally recognized for his tireless advocacy for Omar Khadr, a Canadian detained at Guantanamo Bay as a teenager. He stood firm in the face of political pressure, championing human rights and the rule of law with unwavering courage. Dennis passed away in 2023, and his legacy lives on in the lives he touched and the justice he pursued.
Birds of a Feather is rooted in love, kindness, faith, democracy, and nature. It’s a reminder that art can be a peaceful and powerful way to honour lives, share meaningful ideas, and bring communities together. Through this project, I hope to reflect the spirit of both Virgil and Dennis—their creativity, their conviction, and their belief in a better world. I founded this website, in 2007 as a personal, citizen-run news site dedicated to civil information activism, where everyday people become the media, and voices of the voiceless can be heard. Sleven...
